From the archives: Harry Potter

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Suggested reading, spine-tingling edition

Monday, 19 April 2010 — 12:38pm | Assorted links, Film, Harry Potter, Journalism, Literature, Mathematics, Science

Last week here in the United Kingdom was Chiropractic Awareness Week, so let’s all be aware of the good news: the British Chiropractic Association has finally dropped the battering ram of its libel action against science writer Simon Singh, who had the nerve to call some of their purported treatments bogus. (I guess you could say the BCA backed out.) The lawsuit specifically targeted Mr Singh (as opposed to The Guardian, which published the contested article) in order to drain his resources with the abetment of Britain’s libel laws, and the case has become a cause célèbre exposing this country’s need for libel reform. Be sure to read Singh’s reaction to the news and Ben Goldacre’s column on the wider problem.

Elsewhere:

  • J.K. Rowling, writing in the capacity of a former single mother living on welfare, isn’t buying what David Cameron is selling. In a somewhat frivolous response, Toby Young leaps on the Tory nostalgia of the Harry Potter books, pointing to Hogwarts’ Etonian idyll while somehow neglecting to mention the conspicuously nuclear families; but anyone who paid attention to Rowling’s finer points (which doesn’t include Mr Young, I’m afraid) knows full well her politics aren’t what he thinks they are.

  • Film editor Todd Miro savages Hollywood colour grading for taking us into a nightmare world of orange and teal.

  • Roger Ebert articulates his controversial belief that video games can never be art—not for the first time, though it’s nice to finally see him elaborate on it in one place. I’m of the opinion that the entire semantic quagmire is easily evaded if we adopt an instrumental definition of art. Regardless of whether video games are even theoretically comparable to the great works of other media, our only way of getting at qualitative findings about creativity and beauty in game design is to borrow from the language of art, so we may as well consider them as such.

  • While on the subject of aesthetics: over at Gödel’s Lost Letter, R.J. Lipton’s fantastic computing science blog, are some germinal sketches of how one might study great mathematical proofs as great art.

  • The International Spy Museum briefs us on Josephine Baker, the actress-heroine of the French Resistance.

  • Paul Wells visits the Canadian forces in Kandahar and reports on the shift in the tone and strategy of their counterinsurgency efforts. This is one of the best pieces of journalism I’ve read on the present state of the war in Afghanistan and I can’t recommend it enough.

  • Strange Maps documents two wonderful specimens of literary cartography: back covers of mystery paperbacks, and a poster for a Shakespeare conference in France depicting a town that looks like the Bard.

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Suggested reading, recollected edition

Monday, 8 March 2010 — 12:01pm | Assorted links, Classical, Computing, Harry Potter, Hockey, Literature, Music, Pianism, Science, Video games

Fall away from the Internet for a week or two and the Internet falls on you. Here’s some of what I saw when I succumbed to its gelatinous reach:

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Wednesday Book Club: The Tales of Beedle the Bard

Wednesday, 10 December 2008 — 10:51pm | Book Club, Harry Potter, Literature

This week’s selection: The Tales of Beedle the Bard (2008) by J.K. Rowling.

In brief: This companion book to the Harry Potter series condenses Rowling’s thematic material into five playful fables, each delivered with the impeccable polish and Pythonic cleverness we have come to expect. The annotations written in the voice of Albus Dumbledore provide the Potterverse with a suggested literary history that parodies our own, though they unwisely attempt to interpret the fairy tales on the reader’s behalf.

(The Wednesday Book Club is an ongoing initiative of mine to write a book review every week. I invite you to peruse the index. For more on The Tales of Beedle the Bard, keep reading below.)

Continued »

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Out of the closet and into the fire

Tuesday, 23 October 2007 — 7:44pm | Harry Potter, Literature

By far the most amusing story on the outing of a certain Harry Potter character (and I know it’s by now ubiquitously known, but I have unconverted readers and will maintain a strict policy of not spoiling anything for them, as I swear to you they will read the books eventually) is this succinct article from CBBC Newsround, the children’s edition of the BBC:

Fans at New York’s Carnegie Hall were initially stunned into silence by the announcement, but soon started clapping and cheering.

JK said: “I would have told you earlier if I knew it would make you so happy.”

The news should help to clear up lots of rumours about [the character's] mysterious past once and for all.

Yes, I’m quite sure it will.

Rowling has made some additional statements, defending the supposed lack of textual evidence or relevance by arguing that the character “did have, as I say, this rather tragic infatuation, but that was a key part of the ending of the story so there it is. Why would I put the key part of my ending of my story in Book 1?” And she’s quite right. Spoilers follow.

Continued »

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Dumb and Dumbledore

Saturday, 20 October 2007 — 7:35pm | Harry Potter, Literature

In the Land of Stuff Nick Cares About (More or Less), the top story of the hour is J.K. Rowling’s Q&A session at Carnegie Hall, where she declared that one of her central characters is gay. I’m not going to say who until further down, because I think this is the sort of thing that is best discovered after you’ve already read the books; and if you haven’t read the books, you need to reorganize your life’s priorities. I’m somewhat ashamed of myself for not even remotely picking up on this before, even after several years of unwittingly conditioning myself to detect patterns of repressed homosexuality through the novels of Michael Chabon (whom you should also read, and immediately).

There’s a provisional transcription of the Q&A, and I say “provisional”, because at the time of this writing the transcription is riddled with typos up to and including misplaced negations. It’s a valuable document nonetheless, as Rowling discusses some things we all wondered about, like Aberforth Dumbledore and his goats.

As one might expect, the global juggernaut of the Harry Potter fan base has reacted almost schismatically (to the matter of sexual orientation, not the goats), and their responses fall into several camps. Here’s why all of them are wrong.

Continued »

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Hard-Boiled Potterland and the End of the World

Saturday, 21 July 2007 — 6:16pm | Harry Potter, Literature

(“Potterdammerung” was already taken.)

I did it. I made it through to the end of Harry Potter and the Deathly Hallows completely unspoiled by external sources. Well, almost completely – while I never received any confirmation of some of the critical details, I was surprised by how easily the public consensus predicted them in the more popular speculations I was so quick to dismiss as “too easy.”

It’s still a remarkable feat, because the conduct of the Muggle mainstream press throughout this entire affair has been completely unacceptable. Having read the book, I’ve now looked at some of the articles that have been run on the front pages of several newspapers, and I am astounded and appalled at how much they reveal. In some cases, the articles amount to no more or less than summaries of the final chapters.

How does this pass for news? What purpose does a paper serve by publishing this aside from being a bunch of complete wankers?

Okay, now let’s talk about the book.

Do not read below this point if you have not read Harry Potter and the Deathly Hallows.

Ready?

I loved it.

If there was a single speck of disappointment that blemished my initial experience of the final Harry Potter volume, it’s that so many people figured out the answers to some of the major questions so far in advance. It’s very unlike J.K. Rowling to actually deliver precisely what her readers expect. She doesn’t do that throughout the book, mind you; I think I may confine that impression to the chapter entitled “The Prince’s Tale,” in which we find out…

(If you haven’t read it, go away. And if you’re going to read on anyway because you don’t really care to read the Potter books yourself, I’d hate to be blunt, but we’re simply not going to be friends.)

… in which we find out that Snape was acting on Dumbledore’s orders all along, Harry is a seventh Horcrux, and Snape’s primary motivation was his lifelong love for Lily Evans.

I was a resident contrarian on the first two counts and possibly (but noncommittally) the third. It didn’t seem to click in theory. I’ve offered a few arguments to that effect, but the hidden, irrational hunch behind it all was that I simply didn’t believe Ms. Rowling would be that predictable.

It doesn’t matter, because the execution was superb.

The primary basis for my belief that Snape was first and foremost on a side that wasn’t Dumbledore’s was that on a purely literary level, I thought it necessary for Dumbledore to have some ultimate imperfection that prevented him from deterministically orchestrating Voldemort’s downfall all by himself. It was essential that Harry had some knowledge or intuition that Dumbledore did not to truly call Voldemort’s defeat his own. To me, that meant Dumbledore had to have overlooked something, perhaps in the form of a misplaced trust.

So my reaction to the idea that Dumbledore ordered Snape to kill him amounted to, “That wouldn’t make Dumbledore terribly interesting.”

In The Deathly Hallows, Rowling gets away with it by giving Dumbledore a far more interesting character flaw than simply being too trusting, and one that sheds new light on Dumbledore’s chat with Harry at the end of The Order of the Phoenix: Dumbledore struggles with the balance between impassionate tactical genius and passionate concern for those who are to actually carry out his orders. Unbeknownst to Harry and thereby, the reader, that’s the real developmental path that Dumbledore follows over the course of the first six books.

More importantly from a narrative point of view, even up to the point of Snape’s death, there’s virtually nothing that assures the reader of a certain answer. I started to have an inkling I might be wrong about Snape when I saw just how much thought and preparation Albus Dumbledore had put into his will in order to lead our heroes on the trail of a Grail Quest we didn’t know existed.

As for Harry being the last Horcrux, Rowling met the necessary conditions with what I considered the only possible route for that to be the case: it was extraneous to the six that Dumbledore suspected, it was unknown to Voldemort himself, and its creation was an entirely accidental result. Now, here’s the rub: how long had Dumbledore known? If anything, Harry’s last scene with him in the limbo of King’s Cross reveals that the infamous “gleam of triumph” in The Goblet of Fire manifested Dumbledore’s realization that there was a way of removing Voldemort’s soul fragment from Harry without killing the latter.

Then why deliberately feed Snape misinformation about how Harry has to die? The two reasons I can think of are the obvious ones. First, the reader has to believe that it’s a definite possibility that Harry must perish. Second, it’s with the understanding that Snape’s memory of Dumbledore’s orders will eventually reach Harry, and the plan only works if Harry faces Death confidently and in good faith.

All in all, it’s really the new material – most prominently, the Deathly Hallows and the background surrounding Dumbledore and Grindelwald – that makes the book. At around the halfway mark, one wonders when Harry is actually going to get around to stomping some Horcruxes, but that only amplifies the degree to which one can sympathize with Ron’s impatience with the lack of any apparent plan of action. And although Ron and Hermione don’t get nearly as involved with the final climax as one would reasonably expect, Ron’s return in the chapter entitled “The Silver Doe” may be the best scene in the book – every bit a true fulfilment of the character’s personal journey as that later incident involving the Sword of Gryffindor, Neville Longbottom and a more than nearly headless snake.

As a completely tangential aside: when I first read that one alias of the Elder Wand was the Deathstick, all I could think of was Ewan MacGregor’s Obi-Wan Kenobi: “You don’t want to sell me deathsticks. You want to go home and rethink your life.”

I do have one concern. It’s a concern, not a complaint, but I think it’s worth mentioning. It’s really not until this book that it becomes clear that Unforgivable Curses (with the possible exception of the Killing Curse) are entirely a legal matter, not a moral one. It was certainly discomfiting to see Harry tossing them about willy-nilly in places, even if they were out of necessity, as in the Gringotts robbery. It was an unexpected direction for Rowling to take, and creates a certain ambiguity when it comes to defining what the criteria are for considering a spell to be one of the Dark Arts. Is it based on means or consequences? Certainly, the “good guys” kill, maim or torture just as readily, though there’s a certain poetry to how Voldemort finishes himself off because he runs into a disarming spell.

One last thing (for now, as there’s a limitless supply of material to discuss now that there’s no more Potter coming): I remember reading that Rowling wrote the last chapter (which I take to be the “Nineteen Years Later” epilogue… why nineteen?) way back near the beginning and stowed it away. It shows, and I say that with the utmost ambivalence. The writing abruptly jerks you back to the innocent tone of the first two books, almost as if the series never really developed in scope, and renders the entire segment a tad out of place. I suppose that’s the benefit of restoring some semblance of natural order to the Potterverse, but I would have preferred a more reflective present-day denouement, especially after the excellent ones that capped the fifth and sixth.

Then again, for all the mundanity of an ending where the happy high school couples stay together, live happily ever after and see their kids to school has a certain assuring tone to it: unlike their father, Harry’s kids get to be sent off to Hogwarts by their loving parents. That’s a difference worth remarking upon, is it not?

Primary unanswered question (and I’m sure others would agree): what horrific memory did Dudley relive in the Dementor attack in The Order of the Phoenix? Answer: unknown, but I’m not sure it’s so relevant now that we know his shock and silence was probably not at the Dementors themselves, but the fact that Harry stuck his neck out for him. I was wondering how Rowling would send off the Dursleys, and I can’t imagine her doing it any better. The clincher was when Harry called Dudley “Big D” in earnest. When you’re reading a book, it’s that kind of moment that makes you feel like a boy who lived.

It’s not until a few hours afterwards that the post-Potter depression really sets in.

We’re done. Life goes on. And at the end of all things, nobody tickled a sleeping dragon.

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Famous last words: nitwit, blubber, oddment, tweak

Tuesday, 17 July 2007 — 9:28pm | Harry Potter, Literature

Harry Potter and the Deathly Hallows has shipped. Consider this my last transmission in a state of blissful ignorance before I retreat to my hastily prepared hermetic shelter.

There’s been a leak online, and I personally know at least one individual who legitimately claims to have read the book. To me, the next three days are nothing more or less than a treacherous challenge to survive unblemished in a viral world polluted with too much information. I have summarily severed all inbound lines of communication. If word gets out in the next few days that a lit-crazed science camp instructor has viciously silenced a small child or three, you’ll know why, and you can tell it to the cops that I solemnly swear they were up to no good.

Here are my final predictions. I don’t have time to offer as thorough a rationale for each of them as I’d like; some of them are hunches, and some of them are cases of deliberately contrarian muckraking. If I’m right, I promise you I didn’t cheat. If I’m wrong, I’ll look rather silly, won’t I? But just this once, that’s a risk I’m willing to take.

Let’s start with the important questions.

Snape, Snape, Severus Snape. Evil.

I’ve lost sleep mulling over this and flipping back and forth, but after reading through all six of the preceding volumes again, I’m going back to the same initial impression I had when I first read Half-Blood Prince; see this blog’s most (inexplicably) popular post of all time for details. I can understand the argument that Snape killed Dumbledore on Dumbledore’s last-minute orders – making yourself completely vulnerable and committing assisted suicide to plant a double-agent right-hand man? Ingenious! – but I just don’t buy it.

First: Dumbledore wouldn’t order someone to commit murder, even as someone who believes that death is the next great adventure. I really do believe Snape took him by surprise, and that Dumbledore petrified Harry to prevent any interference only when it came to Draco Malfoy – who, as I’ve said before, probably had the right idea about Snape all along. As for the pleading, we may confidently infer that Dumbledore’s condition was something only Snape could properly address. We’ve also been told time and again that an Unforgivable Curse doesn’t work unless you really mean it and take pleasure in the act of violence.

Was Snape just securing himself the advantageous position of Voldemort’s real first lieutenant and “most loyal servant,” the delusion successively held by Peter Pettigrew, Barty Crouch Jr. and Bellatrix Lestrange (and before that, arguably Lucius Malfoy)? I doubt it. Snape, of all people, is in a position to understand that someone like Voldemort doesn’t put much stock in first lieutenants. He’s too cunning to believe that there’s any safety in such a position. I think Snape is primarily looking out for his own survival, the true mark of a Slytherin.

Will Snape end up doing something in favour of the good guys? Almost certainly, whether it’s intentional on his part or not. Will Harry forgive him? Unquestionably, not least because of our boy hero’s continued assurances that it will never happen. That’s something we’ll leave for the action in the seventh book. What I’m far more interested in is the motivation behind what Snape has been up to so far.

I think it’s imperative that we accept that Dumbledore is a flawed character – someone who has a gaping hole in his wisdom because of his willingness to see the best in people. Sooner or later, somebody was going to take advantage of it, and that someone turned out to be Snape. (Ironically, it was Dumbledore alone who saw right through the young Tom Riddle.) I was waffling on this, but what convinced me for good was this article comparing Severus the Half-Blood Prince to Severus in Machiavelli’s The Prince. There’s no way that kind of correlation is just another inconsequential blip on the radar.

Does it impugn Harry’s maturation as a character to say that on some level, he was right to have an irrational dislike of Snape all along? Maybe, but one other thing to remember about Half-Blood Prince is that much of it is a case of the boy who cried wolf: for once, Harry’s intuition is right on the money, but everyone is so used to it being ostensibly wrong that they didn’t take him seriously when it came to, say, Draco Malfoy’s degree of involvement in Voldemort’s cause.

Snape is far more dangerous than we give him credit for. He’s already accomplished two things that Voldemort only ever dreamed of doing: teaching Defence Against the Dark Arts, and getting Dumbledore out of the way. I’m not saying I’d place him as the primary antagonist over Voldemort himself, though others have pursued that train of thought; the symmetry isn’t quite there, and I’d say that even though Half-Blood Prince was named for Snape, the primary contribution it made to the series was its reassertion of a solid and credible basis for believing that Voldemort is as much of a villain as everybody makes him out to be.

I may end up eating crow, of course, and if I do, I think I know why. It’s because we still don’t know why Dumbledore trusted Snape. This is one of the two big uncertainties that characters in the book (never mind the readers) have occasionally mistaken for certainties, the other one being, “Why couldn’t Voldemort kill Harry?” Harry recognizes the sheer implausibility that Dumbledore could be hoodwinked by Snape’s apparent remorse for the deaths of the Potters. Well, it’s not just implausible – it’s impossible. In Goblet of Fire, we learned that Dumbledore testified that Snape defected prior to Voldemort’s fall. That means the defection had to occur before Voldemort marched into Godric’s Hollow. An advance warning? Perhaps, but it didn’t seem to help.

This is literature, folks. The question we should be asking isn’t, “What makes the characters the most clever?” but rather, “What results in the most elegant pattern?” J.K. Rowling may prove me horribly wrong, but I think the answer involves a Severus Snape who isn’t just doing Dumbledore’s bidding.

If we accept my take on things, the biggest question is this: why does Severus Snape feel obligated to protect Harry Potter? Is this of his own accord, or is Snape unwillingly bound through something like an Unbreakable Vow or his outstanding debt to Harry’s father?

Harry will never pull off an Unforgivable Curse. And he’ll never be a murderer. It’s not even a matter of the amount of conviction or hatred he can pour into a spell meant to torture or kill – he’s just fundamentally incapable of the act. Sectumsempra is in all likelihood the closest he’ll ever come to the Dark Arts, and it was in many ways accidental. And this leads to the central curiosity I have going into the final volume: how could Harry vanquish Voldemort without murdering him?

Dumbledore’s dead. He’s been dead for two years now. Get over it.

Who lives? Limiting myself to candidates that may or may not have been bandied about, so I don’t have to comb the dramatis personae all the way down to Dedalus Diggle: Harry Potter, Hermione Granger, Hagrid, all three of the Malfoys, all of the Weasleys (with the possible exception of Ron, but I’ll get into that later), Minerva McGonagall, Remus Lupin, the Dursleys.

Who dies? Lord Voldemort. His greatest weakness is his failure to realize that some things are worse than death, but I think that’s a reason why he will die, not why he won’t. It’s precisely the fate that all of his evil was conjured to avoid. There’s one hitch with this I can see: Voldemort is so resistant to death that theoretically, he’d come back as a ghost. There has to be some reason that his death is permanent, and it’s not going to be as simple as running out of Horcruxes. It probably involves love, but that doesn’t get us any closer to a practical solution, does it.

I’m actually inclined to think that all three of Harry, Ron and Hermione will survive. But I’ll hedge my bets and say that if one of them is going to bite the dust, it’s going to be Ron. It’s the chess game in Philosopher’s Stone that tips the balance. He has a clear arc of character development – individuation relative to his siblings and his best friend – that is reaching its saturation point. Really, what it might come down to is whether or not Rowling intends to rip him and Hermione apart just after they’ve finally gotten together.

If it’s not Ron, who will it be? We’re certain to lose someone near and dear to us, aren’t we? Who’s important enough?

Neville Longbottom, that’s who. I don’t say this on the basis of any evidence in particular, but here’s what we know. He has a score to settle with the Lestranges, that much is clear. There’s already a certain symmetry between Neville and Peter Pettigrew, and I could see a scenario in which the former takes the fall for his friends where the latter didn’t. After all, so much of the series is founded on taking similarities and splitting them in divergent directions at critical points marked by decisions that reflect one’s true character. And let’s not forget Neville’s role at the end of Harry Potter and the Philosopher’s Stone, shall we?

Among the minor villains, I’m picking Bellatrix Lestrange, Peter Pettigrew and Fenrir Greyback to be out of the picture by the book’s end. Ever since Goblet of Fire, we’ve all been watching Peter Pettigrew to see what he’ll do with that silver hand, and a lot of the money’s on him killing Lupin. I actually think that if Pettigrew does slay a werewolf with a well-placed handshake, it will be Greyback; sure, the history between the characters isn’t there, but let’s not forget about that life debt to Harry.

What about Snape? I think he’s a dead man. Not at Harry’s hands, obviously. Harry will forgive and spare him. I can’t say the same for everyone else.

Ron will finally say the name “Voldemort.” And it’s about time.

Harry is not the last Horcrux. I admit the possibility, but I just don’t see it. This is a piece of Voldemort’s soul we’re talking about. If the Riddle diary was any indication, this is equivalent to an independent instance of Voldemort himself. We saw at the end of Order of the Phoenix that Voldemort is flatly unable to reside in someone who is able to love and be loved in the manner of Harry Potter. When Voldemort possessed Quirrell, he couldn’t even touch Harry with someone else’s hands because of the protection conferred by Harry’s mother. Is it really at all likely that Harry has played host to a shard of Voldemort’s soul this whole time? Not a chance.

The locket and the cup are probably givens. Some object of Ravenclaw’s? Probably, seeing as how there’s already one of Hufflepuff’s. If Dumbledore was wrong about any of the Horcruxes, it’s most likely the snake. But it’s not going to turn out to be Harry.

A brief word about R.A.B. It’s Regulus Black, but it might not be that important that it’s him. We should at least acknowledge, in passing, the possibility that Regulus was framed. For all we know, Snape could have been behind it all along. He had access to Grimmauld Place, he addresses Voldemort as the Dark Lord, he’s a known defector (genuine or otherwise), he’s proficient enough with potions that he could have filled or refilled the basin in the cave, and he is a likely candidate to attempt to subvert Voldemort from the inside. (We are, by now, well out of prediction territory and into the realm of fanciful conspiracy. My actual guess? It’s just Regulus Black.)

Someone we know or recognize will come back as an Inferius. And it will creep us out. But if you’re going to introduce a device like reanimated corpses into your story, why not use it?

Hoggy Hoggy Hogwarts. We’ll see more of it than we expect.

We will pay a visit to Azkaban. Of all the major locations mentioned in the books, Azkaban is the one we haven’t seen (Godric’s Hollow aside, but we know that’s coming). There’s a potential reason for going there, too: if Slytherin’s locket was indeed the one in Grimmauld Place, and Mundungus Fletcher indeed lifted it before being sent to the wizard prison, Harry will be hot on his trail.

The prophecy will be fulfilled, and it will be Voldemort’s fault. In other words, Harry lives and Voldemort dies. Voldemort’s is a case of Oedipal self-fulfilment par excellence. Is Divination still bunk? Yes, and it has always been. But Voldemort acts on its predictions, and has done so to his own peril on at least one occasion. That’s an exploitable trait if I ever saw one.

Sirius Black will not return as an innocent singing sensation. But they’ll finally clear his name.

The bad guys will get lucky. J.K. Rowling has proven time and again that any external utility or supplement that works in favour of the good guys can just as easily work in favour of the bad guys. She did it with Polyjuice Potion, the Invisibility Cloak, the Marauder’s Map and the Room of Requirement, and I strongly suspect Felix Felicis will fall into the wrong hands at some point. Then again, she does have limits; for example, she wrote the Time-Turner out of the story and avoided what could have been a very messy nest of Nargles.

We’ll see more of… Dobby, Kreacher, Luna Lovegood, Buckbeak, Grawp, Crabbe and Goyle, the huge and clumsy Death Eater at the end of Half-Blood Prince, the late Albus Dumbledore (who is unquestionably dead, but his portrait isn’t sitting in Hogwarts and who knows where else without reason). Norbert the Norwegian Ridgeback? We can only hope. What’s Charlie Weasley been up to lately, anyhow?

We may have seen the last of… Moaning Myrtle, Firenze, Rita Skeeter, Cho Chang, Lavender Brown, Madame Maxime, Viktor Krum, Gilderoy Lockhart, Nearly Headless Nick, Peeves, Fawkes (who may have made his final exit alongside Dumbledore), and most of the Hogwarts staff. And again, Dumbledore is not just merely dead – he’s really, most sincerely dead.

Harry will live to teach Defence Against the Dark Arts. I may hold minority opinions on a number of things, but this is not one of them. This is Harry Potter’s most likely fate. Voldemort’s curse on the position is a fairly consequential subplot of its own; who better to break the pattern and restore a settling sense of natural order?

I think that’s all I can come up with for now. I will see you all on the other side, burdened with an inevitable case of post-Potter depression.

Mischief managed?

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A Link to the Past (older posts) »